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​Concept, choreography: Benjamin Kahn
Performance: Sati Veyrunes or Thi mai Nguyen
Music Design: Lucia Ross
Light Design and et stage management: Neills Doucet

Sound engineer: Sammy Bichon

Light engineer: Neills Doucet or Edouard Bonnet
Dramaturgy assistant: Théo Aucremanne
Outside eye: Cherish Menzo

Eye on costum creation: Carolin Herzberg

Texts: Benjamin Kahn inspired directly by Pier Paolo Pasolini, Death Grips, Darek Jerman, MAVI.

 

Executive production: Actoral Marseille

Administration, production: Benjamin Kahn
Touring, development : Sandrine Barrasso

Coproduction: Klap Maison pour la danse, Charleroi Danse, Les Halles de Schaerbeek
Residencies: Festival de Marseille, Centre National de la danse Pantin, Klap Maison pour la danse, Kaiitheater , BUDA Kunstencentrum, Theater Rotterdam

Thanks to : Les Halles de Schaerbeek, Léonard Degoulet, Louis Daurat

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Duration: 40 min

Audience from 12 years old

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« Bless the Sound that Saved a Witch like me » has been selected as part of the Aerowaves Twenty24 platform with the support of the European Union.

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« Bless the Sound that Saved a Witch like me » is the second part of a trilogy that includes « Sorry, But I Feel Slightly Disidentified...» and The Blue Hour.

The trilogy was the winner of the TRIO(S) programme supported by SACD and Onda in 2023.